Wynslo Phillips, Jemmotts Lane, St. Michael, Barbados, West Indies. Ph.435-2606, email: wynslo@caribsurf.com
About Myself:
Bio:
Birthdate
- June 30, 1948, Barbados.
Comments:
Hartley Alleyne-Marshall,
former Head of Department, Division of Fine Arts, Barbados Community College,
December 12, 2006
"Wynslo
Phillips has been art teacher, journalist, gallery manager and now full-time
artist. I have had the privilege of following
his work in all of these areas. He
brought to the familiar Barbadian landscape painting an element of fantasy
hitherto unknown
in local art circles. It was bold, bright and imaginative. He
infused a spirit of joy, pleasure and playfulness that made the
viewer
re-evaluate his perception of his own fields and hills.
In his seascapes however, he offers
up clear, pristine vistas more objectively rendered with no superfluous detal,
no infusion
of fantasy, but these works all inform and delight".
Carolle Bourne,
art reviewer, Weekend Nation, Barbados, January 26, 2007
"The late 19th
century American artist Winslow Homer couldn't get enough of the ocean in the
paintings he did during the
latter half of his life. This is something quite
similar for native son Wynslo Phillips who finds himself with a similar
'addiction'
in the 21st century.
Homer's work has been described as
"quasi-impressionistic" which loosely translated can be seen as realism that's
not
totally real...And in many, that added to the overall appeal. This can be
also be said of Phillips.
You are drawn as you gaze at this
new collection showing solo at the Barbados Arts Council's Pelican Gallery right
up to February 3. Titled "Oistins Bay and Other Places", the artist moves from
Oistins to Dover, Sandy Lane, Bathsheba,
even including imaginary landscapes
with his famous 'lollipop' trees.
Could he be saying how sweet island
life is? It's been ages since the sea has looked so inviting as when Phillips
paints it".
Lilian Sten, Art reviewer, Sunday Sun, Barbados,
February 4, 2007
Wynslo Phillips is a landscape artist who has gradually
developed an intensely personal style. He works with acrylics, a versatile
medium which lends itself to bright colors and sharp definitions of line and
space, but is also capable of textual variations on an
almost acrobatic scale.
Phillips specializes in overhead perspectives, the vistas of
fishing beaches and fields as if observed from a hovering helicopter,
or, as is
sometimes suggested, from a spiritual perspective.
His current exhibition at the Barbados Arts Council gallery
includes several of his Bajan fishing beaches. These are
attractive works with
their own diagonal sweep of sad and sea and a staccato of beached boats leading
the eye into
a crescendo of coconut trees and brightly colored cottages.
Phillips structures these paintings in the manner of Japanese
wood cuts which were one of the main influences on
Western art in the late 19th
century, an which still remain a source of inspiration today. Some earlier works
are
landscapes in which the conventional rendition of trees and sugarcane are
interspaced with red, heart-shaped lollipop trees.
But the main body of Phillips leans towards a more realistic
interpretation of the Barbadian landscape. He has conducted
a systematic visual
survey of Barbados beaches, and the result is a comprehensive and aesthetically
pleasing report.
Phillips' paintings take the viewer on a journey from Dover to
Cattlewash, via Oistins, Inch Marlowe, the Crane and
Ragged Point. Each stop is
illustrated with a vivid and detailed description of its unique characteristics.
Thus the modern, the old-fashioned and the
neither-here-nor-there are treated with equal consideration. Phillips has a
keen
eye, a steady hand and an unmistakable love for the subjects at hand. He
combines established formulas with observed
and personal expressions
A gallery of paintings of Barbados by Barbadian artist Wynslo Phillips. Caribbean art at its best. Reasonably priced, shipped worldwide.